Photo collection: Wheelchair signs from around the world
The sign is the categorisation made visible. I photograph them wherever I travel: look at what each one depicts, a person or a function.
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Málaga, Spain. Preferential use, defined by categories of people, circle after circle. Download photo -
Italy. Someone peeled off the wheel and left the person. Download photo -
Japan. Wayfinding painted straight onto the pavement. Download photo -
Tokyo, Japan. The wheelchair symbol as one wayfinding element among many. Download photo -
Japan. A multi-purpose space, named by what it is for rather than who. Download photo -
Japan. Priority spelled out in four kinds of person. Download photo -
Japan. The platform slope concerns everything on wheels: chairs, strollers, luggage. Download photo -
Japan. One big symbol, seven smaller categories orbiting it. Download photo -
Japan. The categories multiply: six more persons beside the wheelchair. Download photo -
Sweden. Comfortable seats, a table, and a symbol deciding who they are for. Download photo -
Spain. The sign points to another street. The steps stay where they are. Download photo -
Sweden. A door button for everyone, labelled with a wheelchair. Download photo -
Sweden. Beside the steps sit a wheelchair sign and a doorbell. The accessible entrance itself is a different door. Download photo -
Sweden. Three eras of signage on one door. Download photo -
Portugal. Download photo -
Spain. Download photo -
Spain. Download photo -
Denmark. Download photo -
Vatican City. Download photo -
Denmark. Download photo -
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Sweden. Download photo -
Sweden. Download photo -
Spain. Photo by my colleague Bitte Rydeman. Download photo
What it is
I photograph wheelchair signs wherever I travel. Not because the signs are wrong, but because each one is a small public record of how a society categorises: who a space expects, who gets a special route, who is depicted and who is assumed.
Look at what each sign depicts. Some show a person: then the space is for a kind of body, and the categories tend to multiply, from one symbol to three, to six. Some show a function instead: a multi-purpose space, a door, a slope. The shift from person to function is, in my experience, the single easiest nonclusive move to explain, and these photographs are how I explain it.
The photographs come from wherever I have travelled, and the collection keeps growing.
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Save any of the photographs above and use them under the license below. If you want an original in full resolution, write to me.
License: Open Educational Resource
This is an Open Educational Resource (OER). Everything I have created here is shared under the Creative Commons Attribution 4.0 International license (CC BY 4.0).
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